Tamar Halpern's show mentioned in the New Yorker

The titles of Halpern's impressive works on paper, like "Never Too Late But Always Too Early," reflect her formal approach, which is full of ruptures and switchbacks. Conflations of painting, printing, and photography, the pieces are the louche heirs to Rauschenberg, Warhol, and Christopher Wool. The show's press release, written by Richard Hell, claims that Halpern founded the Howists, a movement that contends all pieces of art already exist and only require a "physical means for revealing them most truly and effectively." The Howists are, it turns out, a complete fiction- a lie that tells the truth, like Halpern's own conjuring act. Through June 19.